An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria

Emidun Olugbenga Benjamin; Akinrujomu Olujoke Stella

doi:doi:10.11648/j.ajmie.20210604.11

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An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria

Emidun Olugbenga Benjamin, Akinrujomu Olujoke Stella

Published in American Journal of Mechanical and Industrial Engineering (Volume 6, Issue 4)

Received: 14 May 2021 Accepted: 29 May 2021 Published: 3 September 2021

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Abstract

The thrust of this paper is to assess an update of weavers’ technical skills in relation to their woven designs in South-Western Nigeria. Among many traditional handcrafts that feature in Nigerian Art Industry, weaving seems to be the most prominent and the most consistent. Available loom types and accessories as observed in use in many weaving locations in South-Western Nigeria virtually possess identical structures and features. However, technical skill of weavers differs characteristically as are reflected in varied nomenclature of fabric’s textural and structural patterns and designs, with weavers struggling to manipulate the ‘crudity’ of their tools to the technical advantage of the aesthetic appearance of woven designs. Unstructured questionnaires in Likert Scale sample was used for frequency distribution of variables, and the woven fabrics collected from the study area were subjected to visual/aesthetic description referring to appropriate circumstances surrounding production. The need to re-assess weavers’ technical skill in South-Western Nigeria arises because of the changing phases of consumers aesthetic tastes and preferences, and the need to increase production at the speed commensurate to the demand of users. These need-driven values tend to generate spontaneous traditional symbolic designs and motifs suitable to re-awaken socio-cultural consciousness of consumers.

Published in	American Journal of Mechanical and Industrial Engineering (Volume 6, Issue 4)
DOI	10.11648/j.ajmie.20210604.11
Page(s)	43-49
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Textural Patterns, Structural Patterns, Aesthetic Tastes, Contemporary Patterning, Aso-oke Woven Cloth

References

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[2]	Ademuleya, B. A. (2002) Continuing appreciation of the old aso-oke types among the Yoruba of Ondo, Unpublished Ph.D. thesis, Institute of African Studies, University of Ibadan.
[3]	Adiji B. E. and Emidun O. B. (2011) Effect of Technology on Nigerian Handcrafted.
[4]	Asakitipi A. O. (2007). Functions of hand-woven textiles among Yoruba. Nord. J. Afr. Stud. 16 (1): 101-115.
[5]	Diogu, G. O. (2001). Patterns of creative growth in Contemporary Nigerian Textiles, Journal of creative Arts, Uniport. P/H. Vol. 1 No. 2. pg. 87.
[6]	Eicher, B. J. (1976). Nigerian Handcrafted Textiles: Ile-Ife: University of Ife Press, pp 12 22; 33; 65.
[7]	Newman, T. R. (2010). Contemporary African Arts and Crafts-on-site Working with Art Form and Processes. London: George Allen & Unwin Ltd., pp 79, 102-110.
[8]	Ogunduyile, S. R. and Adepeko, E. O. (2006). Nigeria Clothing Traditional: Preservation Restoration of Alaari Fabrics among the Ondo people of South-Western Nigeria. A Draft Paper.
[9]	Ohiorheruan, D. O. (2002). Issues Affecting Design, Reproduction and Marketing of Nigerian Textiles. JINDEST, 2^nd Ed., Vol. 2, pp 73 - 75.
[10]	Ojo, E. B. (2006) An appraisal of weaving cottage industry in South-Western Nigeria, in Potentials of visual Arts and Crevity, CCAF Publication, 2006.
[11]	Ojo E. B. (2007). Printing contemporary handwoven fabrics (aso-oke) in southwestern Nigeria. Design Issues 23 (2): 31-39.
[12]	Okeke, C S (2005) Distinctiveness in West-African Textiles, Nigerian journal of Art vol 4 nos 1 & 2.
[13]	Ososipe, A. Y. (2001). Narrow Band Weaving in Abeokuta South Local Government. Unpublished B.Sc. Thesis, UNAAB.
[14]	Renne EP (2000). The Decline of women’s weaving among the North East Yoruba. Textile History.
[15]	Popoola, V. A. (2001). Textiles: Then and Now. An Inaugural Lecture Series. Nigeria: Industrial Design Department, FUTA.
[16]	Olutayo, A. O., Olayinka A., Kunle and Fadina, O. O (2011): Aso-Oke (Hamd Woven Textile) of Southwestern Nigeria. A Compact Examination of Resilient Artified. American Journal of Sociological Research.

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Emidun Olugbenga Benjamin, Akinrujomu Olujoke Stella. (2021). An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. American Journal of Mechanical and Industrial Engineering, 6(4), 43-49. https://doi.org/10.11648/j.ajmie.20210604.11

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ACS Style

Emidun Olugbenga Benjamin; Akinrujomu Olujoke Stella. An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. Am. J. Mech. Ind. Eng. 2021, 6(4), 43-49. doi: 10.11648/j.ajmie.20210604.11

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AMA Style

Emidun Olugbenga Benjamin, Akinrujomu Olujoke Stella. An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. Am J Mech Ind Eng. 2021;6(4):43-49. doi: 10.11648/j.ajmie.20210604.11

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@article{10.11648/j.ajmie.20210604.11,
  author = {Emidun Olugbenga Benjamin and Akinrujomu Olujoke Stella},
  title = {An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria},
  journal = {American Journal of Mechanical and Industrial Engineering},
  volume = {6},
  number = {4},
  pages = {43-49},
  doi = {10.11648/j.ajmie.20210604.11},
  url = {https://doi.org/10.11648/j.ajmie.20210604.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajmie.20210604.11},
  abstract = {The thrust of this paper is to assess an update of weavers’ technical skills in relation to their woven designs in South-Western Nigeria. Among many traditional handcrafts that feature in Nigerian Art Industry, weaving seems to be the most prominent and the most consistent. Available loom types and accessories as observed in use in many weaving locations in South-Western Nigeria virtually possess identical structures and features. However, technical skill of weavers differs characteristically as are reflected in varied nomenclature of fabric’s textural and structural patterns and designs, with weavers struggling to manipulate the ‘crudity’ of their tools to the technical advantage of the aesthetic appearance of woven designs. Unstructured questionnaires in Likert Scale sample was used for frequency distribution of variables, and the woven fabrics collected from the study area were subjected to visual/aesthetic description referring to appropriate circumstances surrounding production. The need to re-assess weavers’ technical skill in South-Western Nigeria arises because of the changing phases of consumers aesthetic tastes and preferences, and the need to increase production at the speed commensurate to the demand of users. These need-driven values tend to generate spontaneous traditional symbolic designs and motifs suitable to re-awaken socio-cultural consciousness of consumers.},
 year = {2021}
}

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TY  - JOUR
T1  - An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria
AU  - Emidun Olugbenga Benjamin
AU  - Akinrujomu Olujoke Stella
Y1  - 2021/09/03
PY  - 2021
N1  - https://doi.org/10.11648/j.ajmie.20210604.11
DO  - 10.11648/j.ajmie.20210604.11
T2  - American Journal of Mechanical and Industrial Engineering
JF  - American Journal of Mechanical and Industrial Engineering
JO  - American Journal of Mechanical and Industrial Engineering
SP  - 43
EP  - 49
PB  - Science Publishing Group
SN  - 2575-6060
UR  - https://doi.org/10.11648/j.ajmie.20210604.11
AB  - The thrust of this paper is to assess an update of weavers’ technical skills in relation to their woven designs in South-Western Nigeria. Among many traditional handcrafts that feature in Nigerian Art Industry, weaving seems to be the most prominent and the most consistent. Available loom types and accessories as observed in use in many weaving locations in South-Western Nigeria virtually possess identical structures and features. However, technical skill of weavers differs characteristically as are reflected in varied nomenclature of fabric’s textural and structural patterns and designs, with weavers struggling to manipulate the ‘crudity’ of their tools to the technical advantage of the aesthetic appearance of woven designs. Unstructured questionnaires in Likert Scale sample was used for frequency distribution of variables, and the woven fabrics collected from the study area were subjected to visual/aesthetic description referring to appropriate circumstances surrounding production. The need to re-assess weavers’ technical skill in South-Western Nigeria arises because of the changing phases of consumers aesthetic tastes and preferences, and the need to increase production at the speed commensurate to the demand of users. These need-driven values tend to generate spontaneous traditional symbolic designs and motifs suitable to re-awaken socio-cultural consciousness of consumers.
VL  - 6
IS  - 4
ER  -

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Author Information

Emidun Olugbenga Benjamin

Department of Industrial Design, School of Environmental Technology, Federal University of Technology, Akure, Nigeria
Akinrujomu Olujoke Stella

Department of Fine and Entrepreneurial Arts, School of Vocational and Entrepreneurial Studies, Bamidele Olumilua University of Education Science and Technology, Ikere-Ekiti, Nigeria

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Plain Text BibTeX RIS

APA Style

Emidun Olugbenga Benjamin, Akinrujomu Olujoke Stella. (2021). An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. American Journal of Mechanical and Industrial Engineering, 6(4), 43-49. https://doi.org/10.11648/j.ajmie.20210604.11

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ACS Style

Emidun Olugbenga Benjamin; Akinrujomu Olujoke Stella. An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. Am. J. Mech. Ind. Eng. 2021, 6(4), 43-49. doi: 10.11648/j.ajmie.20210604.11

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AMA Style

Emidun Olugbenga Benjamin, Akinrujomu Olujoke Stella. An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria. Am J Mech Ind Eng. 2021;6(4):43-49. doi: 10.11648/j.ajmie.20210604.11

Copy | Download

@article{10.11648/j.ajmie.20210604.11,
  author = {Emidun Olugbenga Benjamin and Akinrujomu Olujoke Stella},
  title = {An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria},
  journal = {American Journal of Mechanical and Industrial Engineering},
  volume = {6},
  number = {4},
  pages = {43-49},
  doi = {10.11648/j.ajmie.20210604.11},
  url = {https://doi.org/10.11648/j.ajmie.20210604.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajmie.20210604.11},
  abstract = {The thrust of this paper is to assess an update of weavers’ technical skills in relation to their woven designs in South-Western Nigeria. Among many traditional handcrafts that feature in Nigerian Art Industry, weaving seems to be the most prominent and the most consistent. Available loom types and accessories as observed in use in many weaving locations in South-Western Nigeria virtually possess identical structures and features. However, technical skill of weavers differs characteristically as are reflected in varied nomenclature of fabric’s textural and structural patterns and designs, with weavers struggling to manipulate the ‘crudity’ of their tools to the technical advantage of the aesthetic appearance of woven designs. Unstructured questionnaires in Likert Scale sample was used for frequency distribution of variables, and the woven fabrics collected from the study area were subjected to visual/aesthetic description referring to appropriate circumstances surrounding production. The need to re-assess weavers’ technical skill in South-Western Nigeria arises because of the changing phases of consumers aesthetic tastes and preferences, and the need to increase production at the speed commensurate to the demand of users. These need-driven values tend to generate spontaneous traditional symbolic designs and motifs suitable to re-awaken socio-cultural consciousness of consumers.},
 year = {2021}
}

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TY  - JOUR
T1  - An Update of Weavers Technical Skill and Woven Designs in South Western Nigeria
AU  - Emidun Olugbenga Benjamin
AU  - Akinrujomu Olujoke Stella
Y1  - 2021/09/03
PY  - 2021
N1  - https://doi.org/10.11648/j.ajmie.20210604.11
DO  - 10.11648/j.ajmie.20210604.11
T2  - American Journal of Mechanical and Industrial Engineering
JF  - American Journal of Mechanical and Industrial Engineering
JO  - American Journal of Mechanical and Industrial Engineering
SP  - 43
EP  - 49
PB  - Science Publishing Group
SN  - 2575-6060
UR  - https://doi.org/10.11648/j.ajmie.20210604.11
AB  - The thrust of this paper is to assess an update of weavers’ technical skills in relation to their woven designs in South-Western Nigeria. Among many traditional handcrafts that feature in Nigerian Art Industry, weaving seems to be the most prominent and the most consistent. Available loom types and accessories as observed in use in many weaving locations in South-Western Nigeria virtually possess identical structures and features. However, technical skill of weavers differs characteristically as are reflected in varied nomenclature of fabric’s textural and structural patterns and designs, with weavers struggling to manipulate the ‘crudity’ of their tools to the technical advantage of the aesthetic appearance of woven designs. Unstructured questionnaires in Likert Scale sample was used for frequency distribution of variables, and the woven fabrics collected from the study area were subjected to visual/aesthetic description referring to appropriate circumstances surrounding production. The need to re-assess weavers’ technical skill in South-Western Nigeria arises because of the changing phases of consumers aesthetic tastes and preferences, and the need to increase production at the speed commensurate to the demand of users. These need-driven values tend to generate spontaneous traditional symbolic designs and motifs suitable to re-awaken socio-cultural consciousness of consumers.
VL  - 6
IS  - 4
ER  -

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