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The Relationship Between Art Fairs and the Internationalization of the Brazilian Contemporary Art Market

Received: 17 January 2023     Accepted: 21 February 2023     Published: 9 March 2023
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Abstract

The objective of this article is to observe possible relationships between the occurrence of international art fairs and the exports of Brazilian artworks from the years 2010 to 2021, with special consideration to SP-Arte, the Brazilian international art fair held every year in São Paulo City, Brazil, since 2005. In order to achieve our objective, we, first, briefly review the historical process of Brazilian art internationalization and the role of art fairs in it. Then, we examine data from the 2018 report from the Brazilian Association of Contemporary Art, that is, the Brazilian association for art galleries in the primary art market. Next, we analyze data on Brazilian artwork exports, extracted from the website of the Brazilian Ministry of Industry, Foreign Trade and Services (MDIC). The third source of investigation is a set of websites from art fairs and art galleries, where we captured data on the participation of Brazilian art galleries in selected international art fairs, from 2010 to 2022. Finally, we compare the historical data of the three data sources to identify possible relationships between the presence of Brazilian art galleries in international art fairs and the value of Brazilian art exports, as export peaks and certain art fairs could occur at the same time.

Published in International Journal of Business and Economics Research (Volume 12, Issue 2)
DOI 10.11648/j.ijber.20231202.11
Page(s) 46-53
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2023. Published by Science Publishing Group

Keywords

Art Economics, Art Fairs, Art Market, Brazilian Art Internationalization

References
[1] GERLIS, M. (2021). The Art Fair Story, a Rollercoast Ride. London, Lund Humphris.
[2] ABACT. 2018 Brazilian Contemporary Art Sector Report. Available at: http://www.latitudebrasil.org/pesquisa-setorial, accessed on Sep 10, 2022.
[3] QUEMIN, A. (2012). The internationalization of the contemporary art world and market: the role of nationality and territory in a supposedly globalized sector. Contemporary art and its commercial markets, 53-75.
[4] FRAIBERGER, S., SINATRA, R., RESCH, M., RIEDL, C., BARABASI, A. (2018). Quantifying reputation and success in art. Science, 362, 825-829.
[5] LAGO, P. & LAGO, B. (2011). Arte contemporânea no século XXI: 10 brasileiros no circuito internacional [20th Century Contemporary Art: 10 Brazilians in the International Circuit]. Rio de Janeiro, Capivara Editora.
[6] AMARAL, A. (2006). Textos do Tropico de Capricórnio. Artigos e ensaios (1980-2005): Bienais e artistas contemporâneos no Brasil.
[7] FIALHO, A. (2019). Mercado de arte global, sistema desigual. Revista do Centro de Pesquisa e Formação, 9.
[8] CAUQUELIN, A. (2005). Arte Contemporânea: uma introdução [Contemporary Art: an introduction]. São Paulo, Martins.
[9] LABRA, D. (2017). Internacionalização da arte brasileira a partir dos anos 80 e a construção de Hélio Oiticica e Lygia Clark como referenciais canônicos dessa produção artística. Revista Arte & Ensaios, 33.
[10] FIALHO, A. (2005). As exposições internacionais de arte brasileira: discursos, práticas e interesses em jogo. Sociedade e Estado, 2003.
[11] VILACA, Marco Antonio (2002). Marco Antonio Vilaça. São Paulo, Cosac Naif.
[12] CUADRADO-ROURA, J., RUBALCABA-BERMEJO, L. (1995). Urban Hierarchies and Territorial Competition in Europe: Exploring the Role of Fairs and Exhibitions. Urban Studies 32 (2), 379-400, doi: 10.1080/00420989550013149.
[13] MORGNER, C. (2014). Evolution of the Art Fair. Historical Social Research, 39 (3), 318-336.
[14] AFONSO, Luis Urbano, FERNANDES, Akexandra. (2019), Mercados da Arte, Edicoes Silabo, Lda, 372.
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  • APA Style

    Ana Paula Moreno, Katya Hochleitner. (2023). The Relationship Between Art Fairs and the Internationalization of the Brazilian Contemporary Art Market. International Journal of Business and Economics Research, 12(2), 46-53. https://doi.org/10.11648/j.ijber.20231202.11

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    ACS Style

    Ana Paula Moreno; Katya Hochleitner. The Relationship Between Art Fairs and the Internationalization of the Brazilian Contemporary Art Market. Int. J. Bus. Econ. Res. 2023, 12(2), 46-53. doi: 10.11648/j.ijber.20231202.11

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    AMA Style

    Ana Paula Moreno, Katya Hochleitner. The Relationship Between Art Fairs and the Internationalization of the Brazilian Contemporary Art Market. Int J Bus Econ Res. 2023;12(2):46-53. doi: 10.11648/j.ijber.20231202.11

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  • @article{10.11648/j.ijber.20231202.11,
      author = {Ana Paula Moreno and Katya Hochleitner},
      title = {The Relationship Between Art Fairs and the Internationalization of the Brazilian Contemporary Art Market},
      journal = {International Journal of Business and Economics Research},
      volume = {12},
      number = {2},
      pages = {46-53},
      doi = {10.11648/j.ijber.20231202.11},
      url = {https://doi.org/10.11648/j.ijber.20231202.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijber.20231202.11},
      abstract = {The objective of this article is to observe possible relationships between the occurrence of international art fairs and the exports of Brazilian artworks from the years 2010 to 2021, with special consideration to SP-Arte, the Brazilian international art fair held every year in São Paulo City, Brazil, since 2005. In order to achieve our objective, we, first, briefly review the historical process of Brazilian art internationalization and the role of art fairs in it. Then, we examine data from the 2018 report from the Brazilian Association of Contemporary Art, that is, the Brazilian association for art galleries in the primary art market. Next, we analyze data on Brazilian artwork exports, extracted from the website of the Brazilian Ministry of Industry, Foreign Trade and Services (MDIC). The third source of investigation is a set of websites from art fairs and art galleries, where we captured data on the participation of Brazilian art galleries in selected international art fairs, from 2010 to 2022. Finally, we compare the historical data of the three data sources to identify possible relationships between the presence of Brazilian art galleries in international art fairs and the value of Brazilian art exports, as export peaks and certain art fairs could occur at the same time.},
     year = {2023}
    }
    

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    AB  - The objective of this article is to observe possible relationships between the occurrence of international art fairs and the exports of Brazilian artworks from the years 2010 to 2021, with special consideration to SP-Arte, the Brazilian international art fair held every year in São Paulo City, Brazil, since 2005. In order to achieve our objective, we, first, briefly review the historical process of Brazilian art internationalization and the role of art fairs in it. Then, we examine data from the 2018 report from the Brazilian Association of Contemporary Art, that is, the Brazilian association for art galleries in the primary art market. Next, we analyze data on Brazilian artwork exports, extracted from the website of the Brazilian Ministry of Industry, Foreign Trade and Services (MDIC). The third source of investigation is a set of websites from art fairs and art galleries, where we captured data on the participation of Brazilian art galleries in selected international art fairs, from 2010 to 2022. Finally, we compare the historical data of the three data sources to identify possible relationships between the presence of Brazilian art galleries in international art fairs and the value of Brazilian art exports, as export peaks and certain art fairs could occur at the same time.
    VL  - 12
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Author Information
  • Economics, Funda??o Getúlio Vargas, S?o Paulo, Brazil

  • Inter-Graduate Program in Aesthetics and Art History, Universidade de S?o Paulo, S?o Paulo, Brazil

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