Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example

Yu Tian

doi:doi:10.11648/j.hss.20221002.19

| Peer-Reviewed

Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example

Yu Tian

Published in Humanities and Social Sciences (Volume 10, Issue 2)

Received: 28 March 2022 Accepted: 15 April 2022 Published: 25 April 2022

Views: Downloads:

Download PDF

Share This Article

Twitter
Linked In
Facebook

Abstract

There are many ways of thinking and many forms of expression in packaging design. From the perspective of bionics, how to "skillfully borrow” from nature in order to provide packaging design with a reasonable form is a new, creative and innovative way of thinking. In this paper, “skillful borrowing”, a method unique to bionic design, is studied and demonstrated through corn sweet wine container packaging design. It is concluded that bionic packaging design can not only absorb a rich modeling vocabulary from natural forms, but also promote the deep integration of the material life and the natural environment. In this way, the design can be freed from various styles to provide a more optimized way of coexistence between “people and things” and get rid of the increasingly rigid evolution model.

Published in	Humanities and Social Sciences (Volume 10, Issue 2)
DOI	10.11648/j.hss.20221002.19
Page(s)	103-106
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Reflection, Packaging Design, Bionic, Skillful Borrowing

References

[1]	Hu Junhong, "Fate of Design-A Study on the Construction of Design Causality Theory", Jiangsu Phoenix Fine Arts Publishing House, October, 2019, p. 160.
[2]	Yao Ping, Luigi Colani, Legend of Bionic Design [J], Art and Design: Product Design, 2004.
[3]	Zhou Bojun. Bionic Design and It’s Application in Industrial Design [J]. Packaging Engineering, 01/2008, p. 151.
[4]	POHLG, NACHTIGALLW. Biomimetics for Architecture & Design: Nature-analogies-technology [M]. London: Springer, 2015.
[5]	Zhang Tie, The Fourth Place in Design-Humanity, "A Hundred Designers", 2002, pp. 108-109.
[6]	Wang Weiyin, The Introduction of the Visual Sense and the Sense of Touch in Bionic Packaging Design [J], Art Panorama: Art and Design, June, 2013, p. 122.
[7]	Li Yanzu, "The Beauty of Creation-the Art and Culture of Product Design", Renmin University of China Press, 2000.
[8]	Yu Fan, Bionic Design, Huazhong University of Science and Technology Press, 2005, p. 4.
[9]	Hara Kenya. Translator: Ji Jianghong. Designing Design. Guangxi Normal University Press, 09/2010, p. 93.
[10]	Jiang Yizhi. The Application of Bionic Forms in Packaging Container Design [J]. Art Panorama: Art Theory, 05/2010, p. 199.
[11]	Ou Xifan, Zhou Zhiyong, Liu Bomin et al., Research of Bionic Product Design Based on Eye Tracking Technology [J], Packaging Engineering, 2018, pp. 144-150.
[12]	Wang Yixiang, The Application of Bionics in Packaging Design [J], Packaging Engineering, 2006. 4, p. 270.
[13]	Jin Daiqiang. Design Thinking. Peking University Press, 08/2013, p. 172.
[14]	Zhao Yanmei, A Study of Metaphor Design Method Based on Users' Cognitive Psychology [J], Art and Design, March 2009, pp. 172-174.
[15]	Ikko Tanaka. Translator: Zhu E. Awakening of Design. Guangxi Normal University Press, 11/2009, p. 17.

Cite This Article

Plain Text BibTeX RIS

APA Style

Yu Tian. (2022). Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanities and Social Sciences, 10(2), 103-106. https://doi.org/10.11648/j.hss.20221002.19

Copy | Download

ACS Style

Yu Tian. Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanit. Soc. Sci. 2022, 10(2), 103-106. doi: 10.11648/j.hss.20221002.19

Copy | Download

AMA Style

Yu Tian. Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanit Soc Sci. 2022;10(2):103-106. doi: 10.11648/j.hss.20221002.19

Copy | Download

@article{10.11648/j.hss.20221002.19,
  author = {Yu Tian},
  title = {Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example},
  journal = {Humanities and Social Sciences},
  volume = {10},
  number = {2},
  pages = {103-106},
  doi = {10.11648/j.hss.20221002.19},
  url = {https://doi.org/10.11648/j.hss.20221002.19},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20221002.19},
  abstract = {There are many ways of thinking and many forms of expression in packaging design. From the perspective of bionics, how to "skillfully borrow” from nature in order to provide packaging design with a reasonable form is a new, creative and innovative way of thinking. In this paper, “skillful borrowing”, a method unique to bionic design, is studied and demonstrated through corn sweet wine container packaging design. It is concluded that bionic packaging design can not only absorb a rich modeling vocabulary from natural forms, but also promote the deep integration of the material life and the natural environment. In this way, the design can be freed from various styles to provide a more optimized way of coexistence between “people and things” and get rid of the increasingly rigid evolution model.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example
AU  - Yu Tian
Y1  - 2022/04/25
PY  - 2022
N1  - https://doi.org/10.11648/j.hss.20221002.19
DO  - 10.11648/j.hss.20221002.19
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 103
EP  - 106
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20221002.19
AB  - There are many ways of thinking and many forms of expression in packaging design. From the perspective of bionics, how to "skillfully borrow” from nature in order to provide packaging design with a reasonable form is a new, creative and innovative way of thinking. In this paper, “skillful borrowing”, a method unique to bionic design, is studied and demonstrated through corn sweet wine container packaging design. It is concluded that bionic packaging design can not only absorb a rich modeling vocabulary from natural forms, but also promote the deep integration of the material life and the natural environment. In this way, the design can be freed from various styles to provide a more optimized way of coexistence between “people and things” and get rid of the increasingly rigid evolution model.
VL  - 10
IS  - 2
ER  -

Copy | Download

Author Information

Yu Tian

College of Art, Zhejiang University of Finance and Economics, Hangzhou, China

Download PDF

Sections

Plain Text BibTeX RIS

APA Style

Yu Tian. (2022). Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanities and Social Sciences, 10(2), 103-106. https://doi.org/10.11648/j.hss.20221002.19

Copy | Download

ACS Style

Yu Tian. Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanit. Soc. Sci. 2022, 10(2), 103-106. doi: 10.11648/j.hss.20221002.19

Copy | Download

AMA Style

Yu Tian. Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example. Humanit Soc Sci. 2022;10(2):103-106. doi: 10.11648/j.hss.20221002.19

Copy | Download

@article{10.11648/j.hss.20221002.19,
  author = {Yu Tian},
  title = {Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example},
  journal = {Humanities and Social Sciences},
  volume = {10},
  number = {2},
  pages = {103-106},
  doi = {10.11648/j.hss.20221002.19},
  url = {https://doi.org/10.11648/j.hss.20221002.19},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20221002.19},
  abstract = {There are many ways of thinking and many forms of expression in packaging design. From the perspective of bionics, how to "skillfully borrow” from nature in order to provide packaging design with a reasonable form is a new, creative and innovative way of thinking. In this paper, “skillful borrowing”, a method unique to bionic design, is studied and demonstrated through corn sweet wine container packaging design. It is concluded that bionic packaging design can not only absorb a rich modeling vocabulary from natural forms, but also promote the deep integration of the material life and the natural environment. In this way, the design can be freed from various styles to provide a more optimized way of coexistence between “people and things” and get rid of the increasingly rigid evolution model.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Bionic Beauty in Packaging Design: Taking the Packaging Design of Corn Liqueur Container as an Example
AU  - Yu Tian
Y1  - 2022/04/25
PY  - 2022
N1  - https://doi.org/10.11648/j.hss.20221002.19
DO  - 10.11648/j.hss.20221002.19
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 103
EP  - 106
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20221002.19
AB  - There are many ways of thinking and many forms of expression in packaging design. From the perspective of bionics, how to "skillfully borrow” from nature in order to provide packaging design with a reasonable form is a new, creative and innovative way of thinking. In this paper, “skillful borrowing”, a method unique to bionic design, is studied and demonstrated through corn sweet wine container packaging design. It is concluded that bionic packaging design can not only absorb a rich modeling vocabulary from natural forms, but also promote the deep integration of the material life and the natural environment. In this way, the design can be freed from various styles to provide a more optimized way of coexistence between “people and things” and get rid of the increasingly rigid evolution model.
VL  - 10
IS  - 2
ER  -

Copy | Download